A Salvo of 17 Syllables

Noted haiku poet Kono Saki creates anti-war haiku while recalling the role of this poetic form during World War II. As both a poet and a mother, what will Kono say in the short space of seventeen syllables?

Transcript

00:04

Look at all these dodan-tsutsuji.

00:12

An Indian journalist once
said in an essay that

00:16

no one takes more pictures

00:18

of wayside flowers than the Japanese.

00:22

Think of a violet,
perhaps with a ladybug on it.

00:26

The haiku zooms in on tiny things,

00:32

and lets you see how noble,
how precious they are.

00:38

That's the magic of haiku.

00:59

It's a tulip!
What a nice surprise.

01:03

It must have bloomed from
an abandoned bulb,

01:06

all by itself,
with the coming of spring.

01:30

Haiku is said to be the
world's shortest poetic form.

01:34

Kono Saki is one of Japan's
leading young haiku poets.

01:39

I heard on the news that a hospital
with pregnant women was bombed.

01:48

Those women gave birth
one after another

01:53

in an underground shelter.

01:56

I wrote a haiku of mimosa
and the sea, yellow and blue,

02:00

to express my solidarity
with Ukraine.

02:05

"Mimosas by the sea
From the rubble comes
a newborn's first cry.
Kono Saki"

02:14

Recently, more and more people
have written haiku on Ukraine,

02:21

at workshops and contests,
or as newspaper submissions.

02:27

Some of those haiku reflect
the writers' own war experiences,

02:33

which they've come to recall
because of Ukraine.

02:37

In Japan, there are still people
who remember World War II.

02:45

Here is one haiku on a Kyiv dancer.

02:52

"February's gone.
The dancers from Kyiv,
where are they now?
Toushima Kayoko"

02:59

It was reported that
ballet dancers, too,

03:04

had joined the battlefield,
as soldiers.

03:12

This haiku writer is wondering,
worriedly,

03:15

if the dancers are safe.

03:19

"Planting potatoes
by the bronze statue
of Tolstoy."

03:23

This haiku on Tolstoy's statue
must be about Ukraine and Russia.

03:29

Who wrote this?

03:31

Ah, Fumiko.

03:33

There's a statue of Tolstoy
in front of a memorial hall

03:37

at Showa Women's University,
where a haiku contest was held.

03:41

I was sitting on a bench
looking up the statue,

03:45

and I thought of this
season term, "planting potatoes."

03:50

"Planting potatoes
by the bronze statue
of Tolstoy.
Okamoto Fumiko"

03:57

The statue made me think about
the meaning of war and peace.

04:06

It was a memorable experience.

04:11

Tolstoy's masterpiece,
"War and Peace."

04:15

Keeping ourselves grounded,

04:20

cultivating potatoes,

04:25

perhaps that's part of
Tolstoy's vision, too.

04:29

It was just a statue,

04:32

but by mentioning it,
Fumiko implies Tolstoy's message

04:36

and expresses her sympathy.

04:39

This haiku lets the objects
speak for themselves.

04:47

- I fell.
- Did you? Where?

04:50

- At the after-school.
- After-school?

04:53

You slipped?
Or did you trip on something?

04:56

- You're so fast!
- Ready, go!

05:02

Go, go, go...

05:06

Made it!

05:08

- Wanna go down?
- Yeah.

05:10

Do you know those yellow flowers?
They're canola flowers.

05:15

They bloom all over Ukraine,
but there's a war now.

05:21

Is Russia killing the flowers?

05:24

Yes, you could say so.

05:34

- Guns...

05:50

"Throw down your weapons
From here on out,
this is the land of canola flowers.
Kono Saki"

06:03

There were two opposing parties.

06:07

One was the Literary Patriotic Association,

06:10

which backed up the nation's
war policy through literature.

06:13

The haiku section was led by
Takahama Kyoshi,

06:18

who was, and still is,
renowned as a great haiku poet.

06:26

Poets were encouraged to
enhance national prestige and

06:30

edify the country with haiku.

06:35

Many pro-war haiku
were produced.

06:45

With certain restrictions, though.

06:47

A winter season term,
"withered chrysanthemum,"

06:52

couldn't be used, as
it symbolizes the emperor.

06:56

To say "withered chrysanthemum"
would be considered treason.

06:59

Haiku is the art of gaps.
This allows for interpretations,

07:03

even malicious ones.

07:06

On the other hand,
there were poets,

07:10

mostly young ones,
who were against the war.

07:15

Some of them
had lost family to war.

07:19

Their work was called Shinko Haiku
(New Rising Haiku).

07:25

The Shinko Haiku poets were
suppressed between 1940 and '41

07:31

under the Peace Preservation Law.

07:36

A young poet called Watanabe Hakusen,
who was arrested under the Law,

07:42

created this haiku.

07:44

War stood at the end of the hallway.

07:48

"War stood at the end of the hallway
Watanabe Hakusen (1913-1969)"

07:55

It was written in 1939, when
the war felt distant, perhaps.

08:01

But Hakusen places it at
the end of the hallway,

08:06

in the home,
in a private space.

08:09

Not a soldier,
nor the military police,

08:12

but the unknowable idea of war,
just waiting in the darkness.

08:30

"Raising a fist
like a cockscomb flower
with his dying breath.
Tomizawa Kakio (1902-1962)"

08:39

Cockscomb is an autumn flower,
thick and crimson,

08:43

that resembles a rooster's comb.

08:46

This cockscomb flower
is the raised, bloodstained fist

08:51

of a soldier, dying alone
on the battlefield.

08:59

What a raw, compelling use

09:03

of this vivid, visceral flower.

09:14

- What's that?
- Russia.

09:17

- And where is Ukraine?
- It's near Russia, here.

09:21

"Ukraine."

09:24

Look, Mom. This purple zone.

09:26

Look at Russia. It's so large.

09:31

And Ukraine is so small.

09:36

Here are some haiku by a Ukrainian
haiku poet, Vladislava Simonova.

09:42

She lives in Kharkiv,
near the Russian border.

09:48

A journalist received and published
the haiku in the paper.

09:56

One of them reads,

09:57

"An abandoned house.
Stars are seen
Through the broken roof."

10:03

"An abandoned house.
Stars are seen
Through the broken roof.
Vladislava Simonova"

10:12

The stars seen through
a broken roof seem distant.

10:18

But you can also sense the
human instinct to see beauty

10:23

amid the pain and misery.

10:26

There is a haiku by Kobayashi Issa.

10:29

"The beauteous sight
of the Milky Way glimpsed through
holes in the sliding door."

10:35

"The beauteous sight
of the Milky Way glimpsed through
holes in the sliding door.
Kobayashi Issa (1763-1827)"

10:42

Issa was so poor that
he couldn't even repair

10:48

the holes in the shoji,
a kind of paper sliding door.

10:53

But he praises the beauty of
the stars seen through the holes.

10:57

Haiku poets tend to look for
beauty in hardship.

11:03

That's their spirit,
a kind of haiku pride.

11:07

I feel the same haiku spirit
in the Ukrainian poet,

11:13

in her unyielding expression.

11:19

Her haiku transcend
the realities of war.

11:24

She faces and poeticizes
the irrationality of life

11:32

with the same language as Issa.

11:42

- Mom, carry me.
- Okay, I'll try.

11:49

It was fine when he was little.
Now he's so heavy.

11:53

You still like being carried
like this, don't you?

12:04

- Are you tired?
- No, because I love you.

12:25

"The sleeping child
weighs like a corpse in my arms
under the hazy moon.
Kono Saki"

12:37

At the start of
the Russian invasion,

12:42

I saw on TV a 6-year-old girl
being brought to the hospital

12:48

by ambulance.

12:50

She died in the end,
despite the doctors' efforts.

12:57

She already looked unconscious
when she arrived at the hospital.

13:02

Her mother was running
after the stretcher,

13:07

grasping a tiny bag
or a jacket in her hand.

13:18

My son has just turned 6.

13:23

I feel his full weight
when he is asleep,

13:26

since he doesn't hold onto me.

13:28

One day when I held him up,
I remembered the Ukrainian girl.

13:34

She must have been
as heavy as my son.

13:38

A sleeping boy and a dead girl
would weigh the same, right?

13:48

"The sleeping child
weighs like a corpse in my arms
under the hazy moon."

13:54

Go ahead!

14:01

What can haiku do?
I know it won't stop the war.

14:09

But to know what happened,
that's important.

14:15

We might make the same mistakes
if we don't know the history.

14:22

I have no choice but to write.

14:29

Each one of us may be a victim
of war, or an aggressor,

14:35

no matter how far away
the battlefield is.

14:38

We all are hurt in some way,
in our respective circumstances.

14:42

To put that into words,
and to provide healing,

14:46

I think that's what
can be done with haiku.