Props for Male Roles

Actor Kataoka Ainosuke reveals the wide variety of props used by tachiyaku, the male roles in kabuki. Explore the all-important katana sword, tobacco pipes, footwear and gold coins.

Transcript

00:17

It's a traditional performing art with a rich history.

00:21

It draws a million theater-goers per year...

00:24

It's kabuki.

00:27

Kabuki actor Kataoka Ainosuke explores it with us on "KABUKI KOOL."

00:36

Our topic this time is the props used by "tachiyaku," the male roles in kabuki.

00:41

These objects are vital in creating characters and have their own fascinating history.

00:47

Get ready to explore the secrets of katana swords, gold coins, and other key props.

00:54

Let's open the curtain!

00:59

Hi, I'm Sarah Àlainn.

01:01

When you watch Kabuki, you can get a real feel of the Edo Period.

01:05

A big part of that is played by the props involved.

01:09

Today, Kabuki Actor Kataoka Ainosuke will introduce us to those props, especially those used by the leading male roles.

01:17

Hello again!

01:18

Hello.

01:19

So, we have all these katana swords in the studio today.

01:23

Yes, we do.

01:25

And these are kabuki props?

01:28

Yes, they're vital to many "tachiyaku" roles - not just for samurai but for merchants as well.

01:33

And there are detailed rules about which role and play each katana is suited for.

01:41

And we have an expert joining us in the studio today.

01:45

Let's welcome him, shall we?

01:47

Yes.

01:48

This is Keijin Seki of Fujinami Props.

01:51

- Welcome.
- Welcome.

01:52

Thanks for inviting me.

01:54

Mr. Seki knows everything there is to know about kabuki props.

01:59

He knows what is needed for every play.

02:02

He prepares and manages the props for each performance.

02:07

We actors absolutely depend on him.

02:12

I see.

02:13

Could you tell us about these katana swords first?

02:17

The katana is a uniquely Japanese weapon and was also used to display rank.

02:24

It's the soul of the warrior.

02:27

By warrior you mean that it's a symbol of a samurai?

02:30

To a samurai, a sword was as important as his life.

02:35

I see.

02:36

Let's then take a look at a kabuki play where these katana swords are used.

02:40

Yes.

02:45

The highlight of "The Madness of the Footman Ranpei"

02:49

is the climactic fight scene where Ranpei fights off a huge group of fighters.

02:54

Naturally, a sword is an important prop in this scene.

03:23

Ironically, Ranpei is forced to fight his own son.

03:28

This sword is a special prop that helps to express Ranpei's emotions.

03:40

It's making a sound!

03:41

That's right. This sword has a special sword guard with two plates of metal so it rattles.

03:47

This accentuates the character's feelings.

03:49

Ranpei is about to attack his son, but he doesn't really want to kill him.

03:53

The sound is perfect to express this emotional conflict.

03:57

Mm. It's like the sword is acting as well.

04:01

Yes, it is!

04:04

♪ "He cannot stop his tears."

04:12

This is the entrance of the gallant hero Sukeroku.

04:21

Take a good look at his sword.

04:28

Sukeroku is such a show-off!

04:31

Yes. Can you see he has only one sword?

04:34

Uh-huh.

04:35

Samurai wore two swords, but commoners only could wear one.

04:49

So this is Sukeroku's katana that we just saw.

04:52

That's right.

04:54

Not every actor in the role will use the same katana.

04:59

The Matsushimaya crest is called "ni-biki."

05:03

In reference to that this katana has a circle with two lines.

05:09

We only give this one to Matsushimaya actors.

05:12

This is a tiny detail, but there can be a little bit of fun with these props.

05:16

Wow! So that means you know every actor's preference?

05:20

Yes.

05:20

These are for a samurai.

05:23

A "daito" and a "wakizashi."

05:26

They're carried differently depending on rank.

05:30

Shall I show you?

05:31

Okay!

05:32

The smaller one like this.

05:37

And the longer one.

05:45

This is the standard approach.

05:47

I see.

05:49

A "ronin" will only carry one katana.

05:54

Like this.

05:55

So, a bit more upright.

05:57

That's right.

05:58

It's important to really understand the role type because your rank will change how you use your props.

06:04

You don't want to get it wrong!

06:07

- I have a request.
- Yes?

06:09

Could you draw your katana?

06:11

- This?
- Yes!

06:12

Okay.

06:15

Wow.

06:19

That's it!

06:21

So cool!

06:23

You want to try it?

06:25

Really?

06:26

Sure.

06:27

Wow. Like this?

06:29

Yes.

06:29

I've always wanted to do this!

06:32

Oh, okay.

06:33

Yes.

06:34

First, push the scabbard forward, then push the sword out a little, then turn and draw.

06:41

To the side?

06:42

Yes, like this, then...

06:45

Okay... Once more!

06:45

Open...

06:46

Open and push.

06:48

Turn it.

06:49

And draw.

06:49

It's not that easy!

06:52

Yeah.

06:54

Well?

06:55

It was way harder than I thought!

06:57

- Was it?
- Absolutely!

06:59

Oh, I see.

07:00

But so much fun!

07:01

It is!

07:02

What about this set?

07:04

This set is red with metal fittings and a green handle and cords.

07:10

These colors are very strong, so this set is used by villains.

07:16

So the colors are just as important.

07:19

Yes.

07:20

You can tell the role at a glance.

07:23

They do look tough.

07:24

The katana that caught my attention the most was the one that rattled in the footage we saw earlier.

07:30

"Naritsuba?"

07:32

Is that the name?

07:33

Yes.

07:34

Here you are.

07:35

I've actually used this katana on stage several times.

07:38

It's used by Danshichi Kurobei in "Natsumatsuri Naniwa Kagami."

07:43

I see.

07:44

There are two guards.

07:45

Mm-hmm. On top of each other.

07:47

And they clink together.

07:50

Like this.

07:51

I can make them rattle.

07:53

What sort of scene would you use that in?

07:56

There is a scene where Danshichi gets into a fight with his evil father-in-law - his wife's father - and ends up killing him.

08:08

Danshichi is very upset and so when he tries to put the sword back in its sheath...

08:14

His hands are shaking.

08:16

Exactly. Like this.

08:21

It won't go in, so he clamps it still.

08:26

But we hear it shaking as it goes in.

08:33

Then he sheathes it.

08:35

I see!

08:36

"Naritsuba" is incredibly effective in this kind of story.

08:40

Mm. An audible symbol of his turmoil.

08:43

Exactly.

08:45

You want to hold it?

08:48

Oh, it's quite light!

08:50

The katana?

08:51

Yes. What's it made of?

08:54

These props are called "takemitsu."

08:56

They're made from a light oak.

08:59

Then they are it is covered with a thin sheet of metal.

09:02

It's very tricky work that can only be done by an artisan who knows a lot about real katana.

09:12

Now this one.

09:14

So Sarah.

09:15

Yes?

09:16

Try holding this one.

09:17

Okay.

09:18

Ready?

09:19

Oh! It's so heavy!

09:21

Yes. This is made like a genuine katana.

09:24

Now I'll draw it.

09:26

Okay.

09:29

Wow.

09:30

Well?

09:32

It's a prop so the edge is dull, but it's the same weight as a true katana.

09:37

A real metal blade like this is called "honmi."

09:42

But it looks sharp.

09:43

- This katana...
- Yes?

09:46

This katana is used in "Ishikiri Kajiwara."

09:49

Part of the plot involves an inspection of the blade to see if it's genuine.

09:55

Interesting!

10:00

The hero Kajiwara is evaluating a sword.

10:03

In the Edo Period, it was important for a samurai to know the quality and worth of a sword.

10:12

Kajiwara examines the sword.

10:15

He bites on some paper to make sure he doesn't breathe on the sword.

10:21

The actor gazes intently at the sword and has to give the impression of its quality through his acting,

10:27

so I imagine this is why a prop is used that is as heavy as a real sword.

10:37

♪ "The power of the sword makes him gaze reverently."

10:52

This is indeed a great sword!

11:03

To show what a truly great sword this is, Kajiwara uses it to slice through a stone washbasin.

11:24

He did it!

11:30

The setting is China and Watonai is the hero of "The Battles of Coxinga."

11:36

He is a larger-than-life "aragoto" hero and his power is expressed by the very exaggerated swords.

11:54

♪ "Watonai confronts them, ready to draw his sword at any time."

12:08

And here, we have Watonai's katana!

12:11

Yes.

12:11

But there are three of them?

12:14

Usually two katana form a set.

12:17

But an "aragoto" role such as Watonai occasionally carries three.

12:22

It's called "sanbon-dachi."

12:25

This is an older style of sword called a "tachi" and the largest one is 2 meters long.

12:31

It's longer than my height.

12:34

Just carrying it is a pain.

12:36

Normally you wear your own katana.

12:39

Sure.

12:40

But this can't be done alone so three to four people will work together to get it in place.

12:46

And I have another request.

12:49

Now that I'm completely hooked, I'd really like to try holding the large "tachi."

12:53

You do?! Okay. Let's try it!

12:55

Yay!

12:56

So usually, it will be at this angle in your belt.

13:01

Mm-hmm.

13:03

You turn it, like so.

13:05

Then strike a "mie" pose.

13:08

Here you go.

13:09

Okay.

13:10

Here.

13:12

Like this?

13:14

Like this.

13:15

Ohh, I don't think I'd win a fight with this!

13:19

But why is it so long?

13:22

Well, it's a symbol of the "aragoto" role's strength and power.

13:29

Many "aragoto" props are exaggerated versions of real objects.

13:33

They grew big together with the development of the acting.

13:37

Even Watonai's costume was extremely exaggerated.

13:40

It suits his character perfectly.

13:42

Exactly.

13:44

Let's look at some more props.

13:47

Sure.

13:50

A delicate girl came to blackmail a rich clothing store,

13:55

but now she reveals that she is actually a male thief.

13:59

As you guessed, I'm a man.

14:04

If you don't know who I am, I'll tell you!

14:23

He is holding a "kiseru" pipe.

14:26

The way the actor uses this prop expresses the character.

14:30

The movements are intimately related to the words of his speech.

14:40

Named after the goddess Benten, that's me...

14:53

...the famous thief, Benten, the Kid!

15:03

These are the things used for smoking tobacco on stage.

15:07

Wow! Such a variety!

15:11

Yes.

15:12

Was smoking common at the time?

15:14

Tobacco came to Japan in the late 1500s, and by the end of the 1600s, it was actually grown in Japan.

15:22

Men and women of all ages enjoyed smoking.

15:25

So there are a lot of scenes in kabuki plays which feature people smoking.

15:32

How you use a pipe can change the flow of a scene.

15:37

Just like the way he was rotating it.

15:39

Yes.

15:40

Or tap it rhythmically.

15:42

Or spin it.

15:44

I can't even do that with a pen!

15:48

And then...

15:52

Mm, such a nice tone!

15:54

The character's rank and profession will affect how you hold the pipe.

15:59

Wow. Then how would a samurai hold it?

16:03

Something like this.

16:06

And you smoke it with an arrogant air.

16:10

A merchant would be more like this.

16:14

Wow, it's completely different!

16:15

Mm-hmm, it really changes your impression of the role.

16:22

And these are our next props.

16:25

Yes. We refer to everything we wear on our feet as "hakimono."

16:30

In kabuki, they are classified as props, not costumes.

16:36

During the Edo period people mainly wore "zori," "waraji," and "geta."

16:43

People still wear "zori" with kimonos today.

16:46

Like this.

16:48

- You see?
- Mm-hmm.

16:49

I'm wearing "zori."

16:51

What are these?

16:53

Those are "waraji."

16:57

And these are "geta."

16:59

Oh, I've worn them with a cotton kimono.

17:01

That's right.

17:02

I'm really curious about these ones!

17:06

Oh, yes.

17:07

When do you wear these?

17:08

You want to know?

17:10

Of course!

17:14

The fabulous Yoshiwara pleasure quarters.

17:19

A man from the country arrives in Edo and encounters a courtesan's procession.

17:24

His straw sandals indicate his social class and that he has been traveling.

17:36

Now who is wearing those tall clogs?

17:41

Oh! That lady is!

17:42

That's right.

17:44

These clogs were used for the highest class of courtesan.

17:47

They are called "mitsuba geta" because they have three supports.

17:52

They are about 30 centimeters tall.

18:10

He enjoys the procession, but when he sees the most beautiful courtesan of them all, it's love at first sight.

18:36

I've seen movies with courtesans walking like this!

18:39

Oh, really!

18:41

I've always wanted to try it ever since!

18:44

I see.

18:45

This is called "soto hachi monji," meaning the Chinese character eight.

18:50

This style of walking accentuates the allure of the courtesan.

18:54

Wow!

19:04

As you see, Sara is now wearing the "geta!"

19:07

You ready?

19:08

Uh-huh.

19:09

Hold onto me. Go slow.

19:11

Okay.

19:14

Ohh...

19:15

This is surprisingly scary!

19:18

They're wide at the bottom.

19:20

Makes it harder.

19:21

Definitely!

19:22

You remember the way the courtesan walked?

19:24

Let me try it! I've been practicing this in my head for a while.

19:27

Rotate it around, drawing a circle.

19:31

How's that?

19:32

From the outside.

19:35

Like this?

19:36

Yes! That's it.

19:38

Yes, yes. You're good!

19:40

Tilt...

19:41

Yes.

19:43

- That's right!
- Then around...

19:45

I've always wanted to do this!

19:47

Really?

19:49

How was that?

19:50

Wow! You're excellent!

19:52

Thank you!

19:53

Really well done!

19:54

Thank you!

19:55

They say that real courtesans took three years to master this walk.

19:59

Mm, I barely managed three seconds!

20:04

Now let's look at some more props!

20:06

Yes, this is what's next.

20:16

Chubei, a money courier has come to discuss buying the contract of his courtesan lover Umegawa.

20:28

But Chubei's rival, the wealthy Hachiemon is there and tries to get Umegawa for himself.

20:41

My father gave me 250 gold coins as pocket money. Boy it's heavy!

20:51

This is the weight of real gold coins. Look! It makes the house shake!

20:59

Hachiemon shows off the bundles of gold coins in his purse.

21:04

I'm letting you out now, sorry it's so stuffy in there.

21:10

Hachiemon brings out the bundles of gold coins.

21:14

That's a lot of gold! He must be rich.

21:17

Look! I have 100 gold coins too!

21:27

Goaded by Hachiemon, Chubei brings out the money he is carrying.

21:32

But this money belongs to a samurai lord and breaking the seals means execution.

21:39

Real gold makes this nice sound. Does yours?

21:48

Listen to this great sound!

21:56

Your gold sounds bad.

21:58

Your hearing is bad.

22:00

My hearing is perfect!

22:02

Then listen!

22:02

It sounds different.

22:04

- It's the same!
- Different!

22:09

Cut it out, Chubei! It's fate that I have money and you don't!

22:19

No money is like not having a head! What a useless idiot!

22:42

The desperate Chubei has unwittingly broken the seal on the coins.

22:47

Ah! But that means death!

22:49

Exactly!

22:56

150! 200!

23:06

Don't be surprised yet! There's still more!

23:18

Now Chubei is bold, because he knows he must die.

23:23

250! 300!

23:34

Hachiemon, how do you like that!

23:47

We have some Edo-period money here.

23:50

These are "koban" gold coins.

23:55

This bundle has "a hundred ryo" written on it.

24:00

We use these quite a lot.

24:02

They're quite heavy!

24:04

Oh they are!

24:06

Right? Surprisingly so.

24:08

So, a hundred ryo... How much would that be now?

24:12

Well, the value kept changing through the Edo period, but basically, one "ryo" would be about 100,000 yen or $900 today.

24:21

Ten million yen?!

24:23

Yes, exactly.

24:24

Wait a minute! Hey, hang on there ...

24:26

Now, now, miss! Give that back!

24:29

So were these pure gold?

24:32

The real coins had silver and other metals mixed in with the gold.

24:38

So how do you make the "koban" props today?

24:41

Well, they're imitations made with brass and aluminum.

24:46

We try and make the shape as accurate as possible.

24:52

So, shall we copy the play?

24:55

Love to!

24:56

You be Hachiemon and I'll be Chubei.

24:58

The bad guy? Sure.

25:00

Let's go. I'll start.

25:02

That's a great sound, isn't it?

25:04

No, no, no!

25:06

This sound's better!

25:07

Nonsense! Listen carefully.

25:10

Your ears are bad!

25:13

This is the sound of real gold.

25:14

- No, this is real!
- No, this one!

25:19

Yay!

25:20

Ah! You were great!

25:22

Really?

25:23

Yes!

25:23

Thank you.

25:24

But after this, the paper with the seal on Chubei's bundle breaks.

25:28

That's right.

25:29

And in the play breaking the seal is a death sentence.

25:35

The shock of that moment is huge.

25:40

But once he's done it, he decides to brazen it out.

25:45

And different actors will break it differently.

25:48

So, may I show you?

25:50

Please do!

25:52

We just saw it happen like this.

26:12

Mm, sublime!

26:18

Sounds so good!

26:22

Today we've looked at the props used by "tachiyaku" roles in kabuki.

26:27

There's such an extraordinary variety of props used in our plays.

26:32

Indeed!

26:33

And Mr. Seki and his team not only know what's needed for each play,

26:37

they know each actor's preferences and they prepare accordingly.

26:46

I felt like the props themselves were almost like kabuki characters.

26:50

I agree.

26:51

And it wasn't just the appearances that were interesting. Even the sound played a big role!

26:57

There's a lot of things we need to watch out for with props,

27:01

but the key is for each actor to feel that every prop helps him become the character.

27:08

Several plays absolutely rely on props as a centerpiece of the plot.

27:13

The props have to be exactly right, but can't be obtrusive.

27:19

That's our goal.

27:22

- Thank you for all of your hard work!
- Thank you.

27:26

Thank you!

27:27

Thank you for joining us!

27:29

Please visit our website! You can find lots of information on kabuki.

27:33

And now, you can also view video digests of our show, don't forget send us your comments and questions!

27:41

Ainosuke-san, it's time for our ending!

27:43

Are you ready, Sarah?

27:45

Of course!

27:49

Hear ye!

27:52

That's all for today!